emphasizing the overlooked Various

Master Thesis · 2026 · Mentor: Prof. Dr. Sarah Owens · MA Visual Communication ZHdK · www.archive-oto.ch
In urban space, we are surrounded by a multitude of visual artefacts that shape its appearance, yet in their diversity often remain unnoticed. This thesis understands the city as an open archive and visual artefacts as its records. It examines them as palimpsestic structures; layered inscriptions that reveal overlapping traces of time, taking form as ghosts, dialogues, aberrations, accidents, and traces. Grounded in a theoretical framework spanning visual artefacts, urban space, and archive theory, these explorations are translated into Translations — a publication structured around the five categories serving as a visual homage to urban artefacts. Its Atoma binding mirrors the filtering principle of the accompanying digital archive: the spreads can be detached and freely recombined, reflecting the ever-changing configurations of visual artefacts in urban space. Together, they invite the viewer to move through the city as a flâneur, discovering the overlooked within the everyday.
Material Walk poster

Minor Material & Matter · 2026 · Format: A0 · Digital plot, thermochromic ink, heating cables · Lecturer: Franziska Müller-Reissmann, Eva Wandeler · MA Visual Communication ZHdK
During my minor “Matters & Meaning” at ZHdK, I explored thermochromic materials and designed two poster variations for the Material Walk using a simple setup (plot, heating cables, thermochromic paint, and a timer). In a 15-minute cycle, heat reveals hidden content that disappears again as it cools. The project explores how thermochromic inks can turn printed posters into dynamic, time-based experiences.
Grille Type Editorial

Studio 3 Module “Windows” · Lecturer: Christian Lange · 2025 · MA Visual Communication ZHdK
Inspired by window grilles and concrete poetry, I put some excerpts of Foucault’s “Discipline & Punish: The Birth of the Prison” and various texts of incarceration literature into form.
F+F Diplomausstellungen 2025 ci/campagne

Design of invitation cards and animation · 2025 · Client: F+F Schule für Gestaltung und Kunst · Scope: Einladungskarten, Animation und Blachen
Hello! poster

Postercompetition · 2025 · Client: collettivo.sc4 · Format: F4 · Digital print
Submission for the poster competition Verso l'altro. Competition text: “We are restarting the Arecibo Experiment (…). Through visual language, you are invited to express your vision of life on Earth by imagining contact with a hypothetical form of cosmic life.” Inspired by the coded constructed languages of astrolinguistics used for interstellar radio transmissions, I propose—using a humorous approach—to send cute ASCII artworks in order to invite extraterrestrials to visit Earth. Selected as one of 20 winning designs.
ARTWORK for Don Kashew various

Artwork & Design for Don Kashew‘s LP “Bellows” · 2025 · Client: Subject To Restriction · Offsetprint Black & Silver.
Do not open! Editorial

Studio 2 Module “New Ecologies: Fossils of the Anthropocene” · Lecturer: Carolina Marquez Bernard · 2024 · MA Visual Communication ZHdK
Airplanes link the world, leaving traces in their wake – visible and invisible. Contrails in the sky, greenhouse gases in the atmosphere, craters on the ground. Sitting in an aircraft separates us from the earth below, from time and distance—yet, at the same time, we are reshaping the future through their accelerating effects on global warming and globalization.
Am I in a high-rise building? video essay

Design Process 1 Module “Thinking on Screen” · Lecturer: Joseph Popper · 2024 · MA Visual Communication ZHdK
In “Am I in a high-rise building?” I go in search of the secret door, an element from a recurring dream from my childhood. Between reality, fiction and memory, I try to get closer to the feeling of the dream.
Logotype Ako amo various

Animated logotype & graphic design for Ako Amo's debut LP “What's the Sound of a Dream?” · 2025 · Client: Ako Amo · Artwork by Anna Balint
neues kino Basel poster

Design of program posters · 2015–on going · Client: neues kino basel · Format: A2 (Silo Kino) and A3 (neues kino) · Offset print
Say swiss architecture yearbookeditorial

Publication · 2023 · Claudiabasel · Publisher: Park Books · Client: S AM and Werk, Bauen + Wohnen · Format: 22 x 32 cm
100 Beste plakate 21 D/A/CH ci/campagne

Annual design · 2022 · Claudiabasel · Client: 100 Beste Plakate E.V., · Scope: Exhibition posters, invitations, stickers, stationery, animations for social media and the web, exhibition catalog
S AM Swiss architecture museum poster

Poster design · 2015–2023 · Claudiabasel · Client: S AM · Format: F4 · Silkscreen print
Meret Oppenheim, Geheimnisse editorial

Publication · 2018, Claudiabasel · Client: Simon Baur · Publisher: Scheidegger & Spiess · Format: 16.5 × 24 cm
Gerold wiederin. es ist was es ist editorial

Publication · 2018 · Claudiabasel · Client: Simon Baur · Publisher: Park Books · Format: 21 × 32.5 cm
kaserne basel ci/Campagne

Pitch, corporate identity/campaigns · 2018–2023 · Claudiabasel · Client: Kaserne Basel · Scope: Concept & execution of seasonal campaign, project management + execution of applications · Photography seasonal campaign: Tristesse, Basel
museum tinguely: len lye ci/campagne

Exhibition campaign and catalog · 2019 · Claudiabasel · Client: Museum Tinguely · Scope: Exhibition posters F4 and F12, various analog and digital applications, animation, exhibition catalog
bewusster kontrollverlust various

Bachelor Thesis Visual Communication · 2014 · HGK FHNW Basel
In my bachelor's thesis at HGK FHNW Basel, I investigated analog random processes as creative catalysts. The fictional exhibition title “Beyond Paradise” served as the basis for the investigation. By consciously relinquishing control, I wanted to surprise myself and challenge myself as a designer. My conscious reaction followed various random processes. Chains of associations were generated that are linked either formally or in terms of content. The result is a variety of posters that are not based on an overall concept, but rather take up new approaches again and again and could be continued at will.
About

Hi! I'm a Swiss graphic designer based in Zurich. I'm passionate about the smell and feel of paper, vibrant colors, storytelling, simplicity, finding answers, not always following the rules, and my four-legged assistant, Tamo. I graduated with a Bachelor's degree in Visual Communication from HGK FHNW Basel in 2014 and worked as a graphic designer at Claudiabasel Grafik + Interaktion for almost ten years (2015–2024). In 2026, I completed my Master's degree in Visual Communication at ZHdK in Zurich. Today, I work as a freelance graphic designer and part-time as an in-house graphic designer at Moods Jazz Club. I'm always open to collaborations, projects, or chatting over coffee.